THE BEAUTY OF A SIMPLE THING

With the Sigma BF, we present an uncompromising new vision for the digital camera. Stripped to the essence but packed with power, innovative yet rooted in the origins of photography, it is designed to accompany you thoughout your day and to capture the spontaneous beauty of everyday life. The BF balances performance with simplicity and returns the focus to what matters most: your photographs.

RADICAL SIMPLICITY

The Sigma BF's most important feature is its simplicity. We wanted to create the easiest camera to use, inspired by the humble beginnings of the camera obscura. While the lens remains the soul of photography, the camera still profoundly shapes the images you take – directly, indirectly, even subconsciously. Without compromising on features or performance, the BF's design cuts out everything that distracts from your interaction with the image. From its aluminium unibody to its simplified controls and streamlined menu, the BF embodies a pure photographic experience free of frustration.

ULTIMATE IN MINIMALISM

SEAMLESS INTERACTION

The Sigma BF represents a new, more intuitive way to use a camera. It is streamlined to make the act of photography as effortless as possible. We have replaced the shooting mode dial – itself a holdover from the days of film photography – with direct access to the five elements that decide the photograph. Shutter speed, aperture, ISO, EV compensation and color mode are all immediately available at the touch of a finger. The new Status Monitor displays the currently active setting, so the screen provides an unobstructed view of the subject. 

CLEAR VIEW


The BF's high-resolution screen provides a distraction-free view of all necessary information – and nothing more. With one simple setting, it shows only the live view image, with the five key elements – shutter speed, aperture, ISO, EV compensation and color mode – displayed when you are ready to press the shutter button. All other options and settings are accessed via just three simple menu screens.

AT A GLANCE


The innovative Status Monitor displays the active setting, highlighting exactly what you need to know without distraction.

TACTILE CONTROL

 

With just three buttons and a dial pad, the BF’s redesigned user interface makes adjustments instant and intuitive, leaving your attention on the scene and not the settings. As the first mirrorless camera*, the BF features pressure-sensitive haptic buttons, resulting in minimal physical wear while still offering the precise and tactile sensation of conventional mechanical buttons.

*As of February, 2025 by Sigma.

ENDURING FORM

The BF is designed to last. It is the first camera in history* to feature a true unibody, with each camera carved from a single, solid block of aluminum ingot over the course of seven hours. The weight of its seamless all-metal body harmonizes perfectly with any attached lens, while its shape, button placement and precision-cut front texture guarantee secure handling.

*As of February, 2025 by Sigma.

DECEPTIVELY POWERFUL

Simplicity does not mean limitation. The Sigma BF is packed with advanced technology to expand your creative possibilities. Its powerful full-frame sensor delivers exceptional image quality, while the fast, reliable hybrid autofocus system keeps subjects in focus. 

SIGMA BF IS LAUNCHING WITH 9 LENSES IN MATCHING COLORS

COLOR MODES

 

STANDARD

RICH
CALM

POWDER BLUE
WARM GOLD

TEAL & ORANGE

fov cLASSIC BLUE

FOV CLASSIC YELLOW

FOREST GREEN

SUNSET RED

CINEMA

709 LOOK
MONOCHROME

HIGH RESOLUTION VIDEO

 

Some stories are best told in moving images. With 6k recording, powerful HEVC encoding, L-Log support and up to 120 frames per second, the Sigma BF provides filmmakers with a nimble, versatile camera to capture and refine their vision.

FULL-FRAME SENSOR

 

The BF's 35mm full-frame sensor means stunning details, exceptional image quality, wide dynamic range and brilliant low-light performance. The large sensor size also translates to a shallower depth of field to separate subject and background, and allows the use of high-quality full-frame lenses.

INTERNAL STORAGE

 

The SD card slot is replaced by 230GB of internal memory, capable of storing more than 14 000 JPEG files, 4 300 uncompressed RAW images or 2.5 hours of video at the highest-quality setting, with the USB-C port offering fast charging and data-transfer speeds. 

CAPTURED WITH THE BF

The cameras we make are only part of the photographic story. What really counts are the wonderful images that photographers create with them.

We invited Ola Rindal, Fumi Nagasaka, and Sarah van Rij & David van der Leeuw to produce new work with the Sigma BF. Each artist captures the subtleties of everyday moments with their unique perspective and visual language. We hope you enjoy their photos as much as we did.

Specifications
Features
Construction
Technology
Sample Images
Angle of view Standard
Camera Type Mirrorless
Lens Mount L-Mount, Sony E-mount
Sensor Size Full Frame
Construction 18 elements in 13 groups, (2 FLD, 1SLD, 5 aspherical elements)
Angle of view 75.4-23,3°
Number of diaphragm blades 12 (rounded diaphragm)
Minimum aperture F22
Minimum focusing distance 40cm
Maximum magnification ratio 1:3,1 at f=105mm
Filter diameter 82mm
Dimensions (diameter x length)

Sony E-mount
L-Mount

φ87,8mm × 159,9mm 
φ87.8mm × 157,9mm 

Weight (g)

Sony E-mount
L-Mount

990g
995g

Edition number A024
Supplied Accessories Lens hood LH878-07, Front Cap LCF-82 â…¢, Rear Cap LCR , Lens case LS-636SEL
Accessories USB Dock UD-11 (L-mount), SIGMA WR CERAMIC PROTECTOR 82mm, SIGMA WR PROTECTOR 82mm, SIGMA WR UV FILTER 82mm, SIGMA WR CIRCULAR PL FILTER 82mm
EAN-code

Sony E-mount
L-Mount

085126636654
085126636692

Specifications Info

* The appearance and specifications of the product are subject to change.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
* L-Mount is a registered trademark of Leica Camera AG.

Constant F2.8 aperture across a versatile 28-105mm zoom

Many conventional zoom lenses which have a reach up to 105mm do not offer a constant F2.8 aperture, usually dropping to F4 at the long end. But the Sigma 28-105mm F2.8 DG DN | Art delivers the same impressive light-gathering and depth-of-field benefits across the whole focal range. The lens offers all of this along with extremely high optical performance thanks to the thorough suppression of optical aberrations within each lens group. And with its outstanding close-focusing capability when zoomed in, macro-style results are also possible.

A versatile F2.8 aperture perfect for portraits and low light

With its fast aperture across the whole focal range, the Sigma 28-105mm F2.8 DG DN | Art is a true workhorse lens that can be used for almost any type of photography. Scenic photographers can shoot wide-angle landscapes, using the F2.8 aperture for low-light scenes and twilight urban views, while the middle focal lengths tackle dimly lit documentary and street subjects, allowing shutter speeds one stop faster than comparable lenses. At the long end, popular portrait focal lengths from 85mm and 105mm, combined with the F2.8 maximum aperture, produce a shallow depth-of-field that will isolate a subject impressively against large and beautiful bokeh.

Fill the frame with superb close-up performance

Achieving a minimum focus distance of just 40cm across its entire zoom range, the Sigma 28-105mm F2.8 DG DN | Art can get you closer to your subject, filling the frame with detail and texture. At its 105mm setting, this creates a very useful maximum magnification ratio of 1:3.1 for powerful macro-style results.

 

Superior optical performance across the full zoom and focus range

The Sigma 28-105mm F2.8 DG DN | Art operates without compromise, suppressing aberrations very effectively within each lens group, and throughout the entire zoom and focal range. This ensures the lens has a consistent performance even with such a long zoom range. This is thanks to the lens’s premium optical design, which includes two FLD, one SLD and five aspherical elements, the first grouping of which uses a large-diameter φ66.4mm element that is extremely difficult to produce and only available thanks to Sigma’s advanced manufacturing technology at its sole production base in Aizu, Japan.

 

Designed to minimize flare and ghosting

Using advanced simulation technology, flare and ghosting have been largely eliminated, ensuring that the lens renders rich, high-contrast results in all conditions. In addition, Sigma’s Nano Porous Coating and Super Multi-Layer Coating have been applied to further suppress flare and ghosting.

 

Minimal focus breathing

Vital for film-makers who demand consistent framing, the lens has been designed to keep focus breathing to a minimum. This ensures that any changes to the angle-of-view due to focus shift are minimized across the entire zoom range, ensuring natural-looking focus pulls when recording video, and easier image alignment when focus stacking.

Superb portability thanks to a weight of less than 1kg

Standard zooms should be small and light enough for all-day hand-held shooting, so the Sigma 28-105mm F2.8 DG DN | Art has been designed with portability in mind. It combines five aspherical elements effectively in place to shorten the overall length, and a magnesium-alloy construction around the mount, keeping the weight of the lens to less than 1kg. This ensures the lens has superb portability similar to shorter standard zoom lenses, while providing a wider zoom range.

 

Excellent optical performance in a streamlined body

By using five aspherical elements in its optical construction, Sigma has succeeded in significantly shortening the lens’s total length without any compromise to sharpness and image quality. This advanced configuration was only made possible by continuous technological innovation and cutting-edge manufacturing processes at Sigma’s sole production base in Aizu, Japan.

 

Professional features, fast AF and excellent build quality

In addition to high-speed AF delivered by its linear motor HLA (High-response Linear Actuator), the Sigma 28-105mm F2.8 DG DN | Art packs in a range of features that help deliver the best possible results in every shooting situation. These include a dust- and splash-resistant structure and water- and oil-repellent coating, as well as a zoom lock switch, a de-clickable aperture ring, AFL buttons and the focus ring for easier handling including shooting with MF.

 

A linear motor HLA for rapid and accurate AF

The lens incorporates a linear motor HLA (High-response Linear Actuator) that delivers a maximum drive speed, ensuring responsive, precise and smooth AF. With its high level of quietness, the motor also provides noise-free video capability.

 

An aperture ring for improved ergonomics

For quick changes to exposure, or a more traditional way of shooting, the lens is equipped with a dedicated aperture ring, allowing the user to change aperture via the lens if preferred. An aperture ring click switch is a useful tool for film-makers, and a lock switch helps ensure the aperture ring is not knocked out of its setting accidentally.

 

Two AFL buttons* for added customization

Located on the side and on top of the barrel, two customizable AFL buttons can easily be reached in either horizontal or vertical shooting positions, ensuring more ergonomic handling.


* Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.

 

Zoom lock switch to keep the zoom ring secure

The lens is equipped with a zoom lock switch that holds the zoom mechanism in place at its wide end, preventing it from extending unintentionally under its own weight when carried. The lock can be released by the switch, or by turning the zoom ring for a faster and more flexible workflow.

 

Weather-resistant structure for challenging conditions

The lens has a dust- and splash-resistant structure* that keeps it free of contaminants in harsh outdoor environments. The front element also features a water- and oil-repellent coating that helps keep it clean in adverse shooting conditions.


* The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

 

Petal-type hood

A dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.

 

LENS CONSTRUCTION

  FLD GLASS

  SLD GLASS

  ASPHERICAL LENS

 

 

MTF CHART

There are two types of MTF chart. One considers the diffraction quality of light, which is called "Diffraction MTF", and the other, "Geometrical MTF" does not.


The quality of light appears in the diffracted light, and becomes more distinct as the F value gets bigger, resulting in lower image quality. Also, diffracted light exists at every aperture, which is why Sigma has been releasing Diffraction MTF data from the beginning since it is very close to the actual image data.


The advantage of using "Geometric MTF" data is that it is easy to measure and calculate since it does not consider the diffraction quality of light, yet it tends to show higher values in the graph than actual images.


The readings at 10 lines per millimeter measure the lens's contrast ability ( red lines), repeating fine parallel lines spaced at 30 lines per millimeter measure the lens's sharpness ability (green lines), when the aperture is wide open.


Fine repeating line sets are created parallel to a diagonal line running from corner to corner of the frame, are called Sagittal lines (S) and sets of repeating lines vertical to these lines are drawn, called Moridional (M) line sets.


*The MTF chart gives the result at the wide-open aperture.

 

Spatial frequency

S:Sagittal Line

M: Meridional Line

10lp/mm

 

 

30lp/mm

 

 

DIFFRACTION MTF

DIFFRACTION MTF

GEOMETRICAL MTF

GEOMETRICAL MTF

Inner focus system

To increase stability, this lens configuration uses movable internal lens elements that adjust focus without changing the length of the lens barrel.

HLA (High-response Linear Actuator)

HLA is SIGMA's proprietary linear motor. It drives the focus lens directly without going through gears or other mechanical parts, resulting in quiet, high-precision autofocusing.

Compatible with Lens Aberration Correction

Matching the optical characteristics of the lens, this function performs in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more, to further enhance image quality.
*Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
*On cameras where lens aberration correction is controlled with 'ON' or 'OFF' in the camera menu, please set all aberration correction functions to 'ON'(AUTO).

Nano Porous Coating

The super multi-layer coating is combined with SIGMA's unique coating technology "NPC (Nano Porous Coating)". The lens has been designed to be less susceptible to strong incident light such as backlight.
"NPC (Nano Porous Coating)" incorporates porous silica as the coating material. The porous silica layer has nano-sized holes with air inside. Having holes of this size enables a large reduction in the refractive index, allowing the reflectance to be lowered more than conventional anti-reflective coatings. As a result, reflected light causing flares and ghosting is sharply reduced, achieving clear image quality.

Super Multi-Layer Coating

SIGMA's own Super Multi-Layer Coating suppresses flare and ghosting by preventing reflections with in the lens. All lenses in the current SIGMA range feature this original technology. In digital cameras, flare and ghosting may also be caused by reflections between the image sensor and lens surfaces. Here too, SIGMA's Super Multi-Layer Coating is highly ef fective, assuring images of outstanding contrast.

Water and oil repellent coating

Incorporates a water and oil-repellent coating that allows water to be wiped away easily and prevents oil and fat from sticking to the surface, even in challenging shooting conditions. At the same time, the maintenance of the lens surface becomes easier.

Aperture ring

Aperture ring, designed to help users work intuitively

Aperture ring click switch

Mounted with a de-click function for removing clicks by the aperture ring click switch, enabling seamless operations that are especially useful such as during video shooting.

Aperture ring lock switch

A ring lock system to prevent from unintended movement of the aperture ring during shooting.

AFL button

The AFL button can be assigned with various functions widens the range of operations available on the lens.

Focus Mode Switch

Using this swich, it is possible to switch the focus mode between AF and MF.

Linear focus / Non-linear focus

A focus movement method of interchangeable lenses for mirrorless cameras (DN lens) in relation to the rotational angle of the focus ring during manual focusing.
With "non-linear focus," the amount of focal point movement varies depending on the focus ring rotational speed.
With linear focus, if the focus ring rotational angle is the same, the amount of focal point movement remains the same regardless of the focus ring rotational speed.

Zoom lock switch (Wide end)

The zoom lock switch fixes the zoom ring at the widest end, preventing it from rotating and causing the lens barrel to extendunder its own weight during transportation.

Dust and Splash Resistant Structure

This lens features a highly effective dust and splash resistant structure with special sealing at the mount connection, manual focus ring, zoom ring, and cover connection.


*Although this construction allows the lens to be used in light rain, it is not the same as being waterproof, so please prevent large amounts of water from splashing on the lens. It is often impractical to repair the internal mechanism, lens elements and electric components if they are damaged by water.

Compatible with high-speed autofocus

Supports DMF and AF+MF

Compatible with AF assist (for Sony E-mount only)

Lens Hood LH878-07

Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)

Designed to minimize flare and ghosting

Mount Conversion Service available

Photographer

Noriko Yamaguchi

Camera

Sigma fp L

Shutter speed

1/15s

Lens F Number

F2.8

ISO

100

Focal Length

105mm

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Photographer

Noriko Yamaguchi

Camera

Sigma fp L

Shutter speed

1/60s

Lens F Number

F8

ISO

200

Focal Length

28mm

Photographer

Meg Loeks

Camera

Sony α7R IV 

Shutter Speed

1/400s

Lens F Number

F2.8

ISO

100

Focal Length

91.2mm

Photographer

Meg Loeks

Camera

Sony α7R IV 

Shutter Speed

1/500s

Lens F Number

F2.8

ISO

250

Focal Length

105mm

Photographer

Meg Loeks

Camera

Sony α7R IV 

Shutter Speed

1/640s

Lens F Number

F2.8

ISO

320

Focal Length

105mm

Photographer

Meg Loeks

Camera

Sony α7R IV 

Shutter Speed

1/640s

Lens F Number

F2.8

ISO

320

Focal Length

105mm

Photographer

Darren White

Camera

Panasonic DC-S5M2

Shutter Speed

1/125s

Lens F Number

F5.6

ISO

200

Focal Length

105mm

Photographer

Darren White

Camera

Panasonic DC-S5M2

Shutter Speed

1/100s

Lens F Number

F2.8

ISO

200

Focal Length

105mm

Photographer

Darren White

Camera

Panasonic DC-S5M2

Shutter Speed

1/2s

Lens F Number

F11

ISO

100

Focal Length

28mm

Photographer

Emiko Kato

Camera

Sony α7R V 

Shutter Speed

1/100s

Lens F Number

F2.8

ISO

125

Focal Length

84.6mm

Photographer

Emiko Kato

Camera

Sony α7R V 

Shutter Speed

1/50s

Lens F Number

F2.8

ISO

100

Focal Length

38.2mm

Photographer

 

Camera

 

Shutter Speed

 

Lens F Number

 

ISO

 

Focal Length

 

COMPATIBLE ACCESSORIES