Contemporary

65mm F2
DG DN

from 8 690 SEK
Choose a mount to see availability
  • All-metal construction
  • Unique portrait length prime lens
  • Fast maximum aperture of F2
  • Manual aperture ring
  • High-speed, accurate autofocus
  • Magnetic lens cap and metal lens hood
  • Mount with dust and splash-resistant structure
  • Designed to minimize flare and ghosting
  • Compatible with Lens Aberration Correction*
  • Made in Japan


*Function available on supported cameras only. Available corrections / functionality may vary depending on camera model.

AWARDS

HOT ONES

2021

GOOD DESIGN AWARD

2021

Specifications
Features
Construction
Technology
Sample Images
Angle of view Standard
Camera Type Mirrorless
Lens Mount L-Mount, Sony E-mount
Sensor Size Full Frame
Construction 12 elements in 9 groups
Angle of view 36.8°
Number of diaphragm blades 9 (rounded diaphragm)
Minimum aperture F22
Minimum focusing distance 55cm
Maximum magnification ratio 1:6.8
Filter diameter 62mm
Dimensions (diameter x length)

L-Mount
Sony E-mount

⌀ 72mm x 74.7mm
⌀ 72mm x 76.7mm

Weight (g)

L-Mount
Sony E-mount

405g
405g

Edition number C020
Supplied Accessories Lens Hood LH636-01, Magnetic Front Cap LCF62-01M, Front Cap LCF-62mm III, Rear Cap LCR II
Accessories Magnetic Lens Cap Holder CH-11, USB-dock UD-11 (L-mount only), WR Protector Filter 62mm, Protector FIlter 62mm, C-PL Filter 62mm
EAN-code

L-Mount
Sony E-mount

085126353698
085126353650

Specifications Info

* L-Mount is a registered trademark of Leica Camera AG.
*This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

I series | A new photographic experience, “Premium Compact Primes”for mirrorless users

The Sigma I series features full-frame-compatible lenses that offer mirrorless users a new and better alternative, both in the experience of shooting with the lens and in the impressive results it is able to achieve.
One of the key advantages of mirrorless cameras is their smaller form-factor, and this new 65mm optic is designed to be perfectly matched to these more compact systems without sacrificing performance. This combination of superb optical quality with exceptional portability, not previously possible with DSLR systems, will bring new opportunities to this and future generations of photographers.
Simultaneously, Sigma is aware that, in this day and age when we have such huge diversity when it comes to what we use to photograph, as represented by smartphones, people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses.
Sigma’s excellence in development and processing technologies has been built up since its founding in 1961, and has become further sophisticated with the introduction of the Sigma Global Vision in 2012. With this as a base, Sigma has given careful thought how photographers use and enjoy their lenses, including optical design, advanced functionality, build quality and the experience of picking up and using the lens, and with all of this carefully considered, the I series was born.

 

Iseries special page

New standards ofoptical performance for the Contemporary line

The 65mm F2 DG DN | Contemporary brings to the table the highest level of optical performance at a maximum aperture of F2 with a lens body of a size that matches a mirrorless system.

 

Axial chromatic aberration, which tends to be noticeable with medium and telephoto lenses and cannot be effectively reduced in-camera, is corrected thoroughly with the use of SLD glass, allowing it to capture sharp details. A pair of glass-molded aspherical lenses is used to correct spherical and comatic aberration, as well as astigmatism, while also helping make the lens configuration smaller in size. A combination of the latest optical design with advanced processing technology that brings life to the former gives the 65mm F2 DG DN | Contemporary its excellent optical performance as well as compact size.

 

In addition to the beautiful bokeh effect thanks to the control of spherical aberration, the reduced vignetting effects help curb lemon-shaped or swirly bokeh and give photographers greater control over the out of focus areas of their images. On top of it all, the Sigma-standard anti-ghosting and anti-flare technology ensures high-end performance in backlit conditions.

 

Performance data

Special impression

Use of multiple high-precision aspherical glass molded lenses

The surface of molds for glass molding, which is a process that forms optical components by pressing glass materials at high temperatures, requires ultra-high precision. Sigma uses high-precision molds whose surfaces are controlled with an accuracy of ±5 nanometers (0.000005 mm) or smaller. High precision aspherical glass molded lenses archives both good aberration correction and compact lens size.

*Mold for aspherical glass molded lenses

Exceptional I series build quality with a compact form-factor

All I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability, which improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in Sigma’s cine lens line-up for professional cinematographers and provides an exquisite feel to touch as well as sound effects, making photographers want to reach for it and play with it over and over again.

The cover ring between the focus ring and the aperture ring has hairline processing that is also used for the rear cylinder of the Art line. This covering functions as a finger hold when attaching or detaching the lens.

Magnetic metal lens cap

The I series lenses* are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.

*Except 45mm F2.8 DG DN | Contemporary

*This image is 35mm.
*Cannot be used when a filter is attached.

Magnetic metal lens cap holder LENS CAP HOLDER CH-11 (sold separately)

When a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.
With the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.

LENS CONSTRUCTION

  SLD GLASS

  ASPHERICAL LENS

 

 

MTF CHART

The MTF (Modulation Transfer Function) is one of the measurements for evaluating a lens’ performance, and it shows how faithfully the contrast of the subject can be reproduced on the image plane. The horizontal axis shows the image height (distance from the center of the image in mm) and the vertical axis shows the contrast value (maximum value is 1).
The closer the 10 line pairs/mm curve is to 1, the higher the contrast and clarity of the lens is, and similarly, the closer the 30 line pairs/mm curve is to 1, the better the resolution and sharpness of the lens is.


*The MTF chart depicts the result at the wide-open aperture.
*For mirrorless lenses that support distortion correction, the horizontal axis shows the image height equivalent to when an L-Mount lens is attached to a Sigma L-Mount camera with distortion correction applied. (The effect of distortion correction may differ depending on the mount and camera used.)
*The spatial frequency indicates the variation on the image plane before distortion correction is performed.

 

Spatial frequency

S:Sagittal Line

M: Meridional Line

10lp/mm

 

 

30lp/mm

 

 

DIFFRACTION MTF

DIFFRACTION MTF

GEOMETRICAL MTF

GEOMETRICAL MTF

Stepping Motor

The lens is capable of smooth, quiet and high-speed AF made possible by a stepping motor, as well as supports Face/Eye Detection AF and video AF.

Mount with Dust and Splash Resistant Structure

The lens mount incorporates rubber sealing to protect the mount from dust and water drops.

Super Multi-Layer Coating

SIGMA's own Super Multi-Layer Coating suppresses flare and ghosting by preventing reflections with in the lens. All lenses in the current SIGMA range feature this original technology. In digital cameras, flare and ghosting may also be caused by reflections between the image sensor and lens surfaces. Here too, SIGMA's Super Multi-Layer Coating is highly ef fective, assuring images of outstanding contrast.

Aperture ring

Aperture ring, designed to help users work intuitively

Focus Mode Switch

Using this swich, it is possible to switch the focus mode between AF and MF.

Linear focus / Non-linear focus (for L-Mount only)

A focus movement method of interchangeable lenses for mirrorless cameras (DN lens) in relation to the rotational angle of the focus ring during manual focusing.
With "non-linear focus," the amount of focal point movement varies depending on the focus ring rotational speed.
With linear focus, if the focus ring rotational angle is the same, the amount of focal point movement remains the same regardless of the focus ring rotational speed.

High-precision, rugged brass bayonet mount

The brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.

Rounded diaphragm

The polygonal shape of a conventional iris dia phragm causes out-of-focus light points to appear polygonal. A rounded diaphragm is designed to pro duce rounded out-of-focus light points when opened to near maximum aperture. This creates attractive bokeh effects in many situations, such as when pho tographing a subject against an out-of-focus surface of water from which light is being reflected.

 

Exclusive low-dispersion glass

The degree to which light is refracted by glass depends on the light's wavelength. This fact causes different colors of light to focus at slightly different points. The result is chromatic aberration, the color fringing that is particularly noticeable in telephoto lenses. Most chromatic aberration can be removed by combining a high-refractivity convex lens element with a low-refractivity concave element. Yet residual chromatic aberration known as "secondary spectrum" may still remain. To minimize this secondary spectrum, which can be a serious issue with conventional lenses, SIGMA lenses feature up to three types of exclusive low-dispersion glass offering superior performance: ELD (Extraordinary Low Dispersion), SLD (Special Low Dispersion) and FLD ("F" Low Dispersion). In particular, FLD glass offers ultra-low dispersion in combination with high transmittance and the anomalous dispersion characteristics of fluorite. Meticulous deployment of these types of exclusive low-dispersion glass and optimization of power distribution gives SIGMA lenses superlative image rendition undiminished by residual chromatic aberration.

 

Lens construction: 12 elements in 9 groups, with 1 SLD glass and 2 aspherical lenses

Compatible with high-speed autofocus

Lens Hood

Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)

Supports DMF, AF+MF

Inner focus

9-blade rounded diaphragm

High-precision, durable brass bayonet mount

Camera

SONY α7R IV

Shutter Speed

1/1000s

Lens F Number

F2

ISO

100

Focal Length

65mm

Photographer

Aya Iwasaki

Camera

SONY α7R IV

Shutter Speed

1/160s

Lens F Number

F4

ISO

100

Focal Length

65mm

Photographer

Aya Iwasaki

Camera

SONY α9

Shutter Speed

1/640s

Lens F Number

F4

ISO

400

Focal Length

65mm

Photographer

Aya Iwasaki

Camera

SONY α7R IV

Shutter Speed

1/1000s

Lens F Number

F2

ISO

100

Focal Length

65mm

Photographer

Takashi Shikano

Camera

SONY α7R IV

Shutter Speed

1/160s

Lens F Number

F2

ISO

125

Focal Length

65mm

Photographer

Takashi Shikano

Camera

SONY α9

Shutter Speed

1/125s

Lens F Number

F2

ISO

100

Focal Length

65mm

Photographer

Kazuyuki Hagiwara

Camera

SONY α9

Shutter Speed

1/320s

Lens F Number

F2

ISO

100

Focal Length

65mm

Photographer

Kazuyuki Hagiwara

Camera

SONY α9

Shutter Speed

1/200s

Lens F Number

F2

ISO

100

Focal Length

65mm

Photographer

Kazuyuki Hagiwara